Right, that’s it. No more long projects until at least September. I know I suffer from Freelance Disorder – a tendency to accept any job you are offered, on the grounds that it might be the last job you are offered – but I’ve got a summer full of craft pop-ups and fairs and I do not want to be nailed down in front of the laptop. And while I’ve been bogged down in editing books, I’ve also been sent some to review. But these are on woolly matters.
The first, Cable Left, Cable Right by Judith Durant, is a real winner. As it happened, it landed on my doorstep as I was doing some cabling (fingerless mitts, for sale), so the timing couldn’t have been more appropriate.
I do have stitch pattern books which include cables along with other things, generally. But I don’t have anything which purely concentrates on cables apart from one book which also has patterns for garments. In that book the cable patterns are often very elaborate and on a large scale; here there are everything from the simplest rope cables to elaborate banded cables in two colours. Like the other books in this series (which I also rate), this does not include any patterns for finished things – and that, to my mind, is an asset. First, I often don’t like the patterns for the garments / cushions / strange unidentifiable things which come with the selection of stitch patterns; second, just concentrating on the the stitch patterns gives much more depth.
It allows you to look at the basics clearly and in more detail,
and to then understand things properly when you get to more complicated issues:
And that highlights another point. This book uses charts, not written instructions. Writing these instructions out would have taken pages; the chart is clear and quick. And in case anyone isn’t used to charts for cables (I am one who generally prefers written instructions), there are full and clear directions, and plenty of help. I think I’m converted.
(Someone said to me that she had problems working out which row she was on with charts. I looked at her pattern – written out, complex cables – and she was using a clip-on ruler thingy as a marker. I use something like that for lace charts, which I’m perfectly comfortable with, so why not these? I am a convert.) Yup. A definite recommendation, as is the next one.
Just a quickie; a little book on spinning, How to Spin, by Beth Smith.
It’s basic, it’s clear, it’s not photographic but there are line drawings to clarify things from basic drafting and attaching fibre to the leader to other issues like making a woollen-style join. Beth Smith is the author of The Spinners’ Book of Fleece, and both knows her stuff and has the ability to explain what she’s talking about. I recently sold a wheel to someone who was completely new to spinning, and I wish I’d had a copy of this at the time (it’s OK, she’s near a mutual friend who’s a very good spinner, so she’ll get help there). But this would be very useful for anyone in that position – and I’ve found it useful myself!
Ah yes, the third book. I nearly didn’t review this, but patterns are a matter of personal taste. Also, I do not crochet. But had I ever felt like crocheting – and I might, given that there are some amazing crochet patterns and projects out there to inspire me – then the Crochet One-Skein Wonders for Babies book would put me right off. Incidentally, it had the same effect on some of the expert crocheters who saw it, too.
This elephant is cute, I’ll give it that. And there are a couple of hats and some bootees that I like. And, of course it comes down to the question I raised right at the start, of personal taste in patterns. But a diaper cover with a flower decoration on the bum? A vest which is quite rightly described as ‘unforgettable’? The Zucchini sleep sack and cap? Yup, it’s a bag shaped like a courgette in which you stick your baby.
Ok, there are some nice blankets; if you’re into crochet baby blankets, then it might be worth having a serious look at this. But the majority of the patterns look so old-fashioned beside some of the things people are crocheting now, and many of them are deeply impractical (and frightening, in the case of the more surreal toys). This book tries hard to be cute (‘little bottoms’), but maybe it just isn’t one for the somewhat cynical British market. Or the somewhat cynical me.