Category Archives: Craft Fairs

The Knit Nurse returns (with sketchbooks)

I’m at a – well, I suppose it’s a sort-of craft fair – at the weekend. It’s the Fibre and Fabric Fair in Harlech (harlechcraftfair.com), where nine local ‘designer-makers’ (sorry about that) will be demonstrating and selling and letting people have a go at whatever it is they do. There are three very different weavers, a spinner and dyer, a printmaker, an embroiderer, a ‘sewist’ (sorry about that too) who recycles beautiful old fabric, a felter – and us. A friend and I are running a knitting hospital. I keep saying ‘the knitting doctor is in’; she keeps referring to herself as the knit nurse…

The last Fair, I took along my sketchbooks and people seemed to find them very interesting. Er, interesting, anyway. So I’ve been digging them out, tidying them up (i.e. picking up about 85,623,890 ancient ball bands which fell out, then sticking them in place)

and making them look vaguely respectable. I then put a pic of one on Instagram, saying that I wasn’t sure whether or not to take it, as I didn’t feel it was very exciting:

and I got one comment saying that I should, definitely, to demonstrate that there’s more to the maths in knitting than counting rows and stitches. Hm. Personally, I think that might be more more likely to put people off, but I’ll probably take it.

I’m certainly taking the big sketchbook which relates to my latest Fair Isle WiP:

and probably the notes which relate to it, as well as a finished (must block it) piece.

But the whole thing got me thinking, after a chat with the embroiderer. How many of us who work with textiles keep sketchbooks, I wonder? Or notebooks, or whatever we like to call them? As the embroiderer said, a sketchbook doesn’t have to involve paints or pencils or pens… Oh, well, enough speculation – must go and block the hell out of that Fair Isle. Wish me and the Knit Nurse luck!

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Well, hello (again)

I am, finally, back. Or so I think. I’ve been working on a huge project, completely unrelated to knitting or wool, and am beginning to come out from under. Beginning is the word, though. But, yes, it’s definitely a beginning. I’ve been feeling guilty about not blogging while spending so much time nailed to the laptop doing Other Stuff, so here I am. Back. Back, with a revamp. So hello – again!

It may have been snowy over Easter but three of us huddled together in a pop-up craft-makers’ shop (I sat next to, and occasionally on, the radiator) which gave me a c-c-chance to shiver leave the aforementioned major project and think about wooly things instead. And about how fabulous knitting is in detail:

This, natch, is Noro. Taiyo Sock. I’m in love with Noro, which is odd for someone who habitually dresses in black, but hey ho.

and how wonderfully splendid a variegated yarn looks with stitch detail:

This is a skein I picked up at Wonderwool a few years ago, hand-dyed by Ripples Crafts. The colourway was called ‘lichen’: bang on.

This is another Wonderwool find (which reminds me, the 2018 Wonderwool Wales is very, very close), but I can’t find the label. I think it was dyed by Nimu. Actually, I’m sure it was dyed by Nimu. Beautiful – and the pattern is Stitchnerds’ TGV:

It was refreshing – after spending so long editing and writing and considering and checking and and and and and – to spend some time in the close company of wool. Beautiful wool. And it’s also interesting, when you normally work on your own, to work with other people. No, I did not bite anyone. It was fun.

And, as a final note, some more Noro:

Kureyon Sock, I think. Fabulous colours, just fabulous!

Nearly autumn (thank all the gods)

And I’ve survived!

That is, always supposing something terrible doesn’t happen in the next ten days or so. Quite frankly, this holiday season, I wouldn’t be at all surprised if a gnu eating ice creams and riding a unicycle landed on me from a great height. It’s been one of those Augusts. And Julys.

Knitting has happened, however:

(this is a Woolwinding shawl in Rowan’s Grainy Silk) which always makes me feel better. Better despite the fact that I’ve begun to wonder why I don’t just paint a big target on my car and have done with it. Losses? Two wing mirrors, both to tourists going too fast. In one case the German driver was delightful and it was either me or the cyclist he was overtaking, so obviously it was me; in the other, the (British plates) driver vamoosed. Dents? Numerous, including one from being barrelled into a wall by a motor home driving on the wrong side of the road. British, again.

And the weather’s been iffy. But I can warm my hands on this:

I once worked in a major gallery. I went off to do a stage in the US, and one museum where I worked had a lunar chart on the back of the staffroom door. I thought flaky, typical – but no. They’d charted bad customer behaviour and it did coincide with phases of the moon. When I returned to the UK we tried it.

Nah.

Then we tried atmospheric pressure.

Bang on.

Weather changes, either good or bad? Changes in visitor dingbattiness. This summer has provided further support for this theory, to the extent that I submit that it no longer qualifies as theoretical. Been in craft pop up. Woman picks up long thin shawl, holds it right out, studies it. Turns to me: ‘Is this a hat?’

No, it’s a shawl. But do try winding it around your head, it might keep your brain warm.

It is really, really hard keeping the sarcasm level at acceptable. Really hard. So if anyone reading this gets a bit of a sharp response from some hardworking shop keeper this season, please bear in mind the effects of atmospheric pressure, and that if we have to explain once more that ‘please do eat or drink in this shop’ includes you with the can, your child with the crisps, the one with the ice cream and above all the one with the squishy banana, and take it in the spirit it was intended.

And also take your sticky child, your quavers, your magnum, your banana, your dripping can of cola out. Because I am armed with sharp sticks, and by this stage I am not afraid to use them.

Yikes!

I just realised, with a shock, that poor old Woolwinding has gone untended for ages. So while I am stupidly busy, I thought I’d do a few quickie posts which I could complete easily from my phone or tablet – just, basically, saying that I’m not dead, and neither is Woolwinding…

One of the things that’s keeping me busy is the prospect of summer and the pop-up makers’market in which I participate. As usual, it’s the things which need some sewing that are hanging about, waiting for me to just… just…

decide which fabric is going to make the lining of this felted bag. Classic (if mad) brocade, or the 1980s Collier Campbell?

2015, a year in wool

I hope everyone had a great Christmas, and that 2016 proves to be a wonderful year. What more can I say, except for BAAAAA!

Baaaaaa

(Was tickled by this slightly louche Shetland matriarch, wearing her ear tag like a clubbing accessory)

Now the festivities – and other events – have settled down a bit, I’ve fired up my trusty MacBook Pro for the first time in a few days (never thought an iPad would change my life, but hey ho) and have taken a look through the year’s photographs. Two things struck me: a) that I’d actually fitted quite a bit in, despite being really busy on the work front, and b) that photographs don’t always reflect what’s really happening in your life. Not even if, like a friend of mine who is way too old to know better, you are the world’s most obsessive taker (and, yawn, yawn, sharer) of bad selfies. But I’m going to talk about the knitting which has marked this year out, and not the fact that it’s been bookended with funerals. Plus there’ve been deaths in between – mostly of the older generation, but still.* Back to wool!

I started the knitting year with turquoise, and I’m ending it in the same colour,

admittedly, turquoise with other colours but still unusual enough to be remarked upon.

The wooly highlight had to be another journey north: Shetland, and first stop Jamieson’s in Lerwick as I’d heard great things of the revamped shop. They were all, unfortunately, true. Rats. I just had to spend money. Plus there was the museum and the excellent taatit rugs exhibition, and the Bod of Gremista, from which I think these two shots come,

and what with one thing and another I came back with the makings of a Fair Isle cardigan. It’ll be done when I’ve finished the one currently on the needles (also in yarn bought in Shetland, cough, cough).

My hands have been so much better, and I’ve really enjoyed knitting for things like the Harlech Fibre and Fabric Fair in the summer, where I also got a chance to talk about natural dyes with people. Er, once the Fair was actually open, that is. Prior to that it was a frenzy of sorting out signage and bunting and pricing and labels and craftspeople and people doing the teas and, and, and thank heavens I wasn’t doing it alone. Many thanks to Julie. Many, many, many thanks!

woolwinding

I’m not the world’s most expert dyer – by a long stretch – but I still have the daft enthusiasm that allows me to be fascinated by the fact that rinsing a skein dyed with elderberry in water at a friend’s house – on the wool winder – could have a completely different result when I rinsed the next one at my own place (all the colour leeched out – it was most alarming, but did allow me to overdye the wool).

High summer – we did have one, briefly, I have more photographic evidence – saw me spinning in public with some members of the Llyn Guild. It was a completely delightful day, even if we were all quite hoarse by the time we were winding down.

sip

In fact, it was so good that we’re not spinning in public on the official day – towards the end of September – any more. There are so many more people about in August, and the weather is more predictable, plus we can return here. Where there is also cake.

Along the way I’ve opened a twitter account for a cat,

Bramble

who thinks she runs a wool shop (thinks?) – she’s at @WoolShopCat, naturally – and saw her followers increase in both numbers and interaction in the first twenty-four hours way more than my own (it’s settled down now, which is more than can be said for Bramble, currently in Christmas-catnip mode). I’ve been in a pop-up craft shop during the summer, which was fab, and had a very successful time at the Harlech Craft Fair at the end of November. The problem has been keeping pace but, as I said, my hands are much better. I’ve even fitted in some knitting for me.

And now I need to go and lie down for a bit. But I just have this sleeve to finish, you see, and…
Best woolly wishes to everyone for 2016!

*why this year should have been particularly bad on the funerals front, I don’t know. Except, that is, for the fact that several people were either in their 90s or nearly there, so not entirely unexpected. But why do deaths come in flurries? My grandfather used to get quite wary if there’d been two until there was a third, and it’s not as though there was a geographical factor at work – they ranged from the highlands of Scotland to South Africa. Very odd.

I’ve been a bit quiet…

… and this is why:

Belinda

Even I realise this needs some explanation. This, incidentally, is Belinda and he is modelling a bias cowl knitted in a yarn I wouldn’t normally go for but which is one of the best ‘fake fur’ yarns I’ve come across, Sirdar’s Touch.

OK, the elephant in the room. Or perhaps the cross-gender bear on the bed.

I’ve no idea why he’s called Belinda but he is definitely male. Not sure how I knew, I just did. I think I wanted a brother when I was given Belinda (a year or so later I experienced the reality and, let me tell you, it was not what I’d imagined) and that may account for my certainty, but why Belinda? I didn’t know any Belindas. I knew a Chloe and a Jean-Louis and a Gerald and a Simon and a Didier and a Susan, but I didn’t know a Belinda. Anyway, Belinda it is and he’s not changing it now.

Ahem.

I’ve been busy because of this (well, and work, natch):

a4 craft fair christmas poster 2015

of which I am one of the organisers. And ‘organising’ is probably not the best word, because organising craftspeople, and I class myself in this, is an art right up there with herding kittens and trying to rearrange clouds. And now I’m trying to prepare myself for the inevitable – the lovely customers, the fellow knitters, are a joy – of course. But there’s also the ‘I can make one of these myself, so can you let me have it cheaper?’ / ‘you can get these in Asda for £2.50’ brigade. Sigh.

Will be back once next weekend is over. Possibly traumatised.

Poleaxed by plague

Oh, OK, it’s a bad cold. Well, one with added bronchitis and a cough that can probably be heard in Ulan Bator, but hey. I am feeling somewhat sorry for myself – especially since this week was supposedly a week off for a family visit over half term. Instead of which I have probably achieved nothing other than to give my nearest and dearest their worst colds of the winter. Nice.

But stop – I have also achieved this:

cowl

I know, it looks like small furry animal all curled up like that. Soft and fuzzy – which, according to a recent wildlife documentary, is the essence of cute. Admittedly so are big, front-facing eyes which this has not got, but – hm, maybe I’be had too much Ventolin.

It’s actually a cowl,

cowl

A double-moss-stitch moebius cowl, to be exact, and it will end up as one of my simple patterns on Ravelry (and here) eventually. It’s part of my determined effort to use up my stash, and specifically the huge amount of lovely angora mix I bought at Wonderwool ahem years ago, and which hasn’t quite found its way into a finished garment. It’s being used double, which means it knits up really quickly.

And I’ve started another variation on the theme. I was going to repeat the moss-stitch but in my current befuddled, be-Ventolined, be-Paracetamolled condition I was unable to cope with the complexities of the pattern (!). So this is a displaced rib, as it were, and I’m loving the texture:

ribbed cowl

Again, I’m using yarn from the stash and again I’m using it double. This is a Queensland DK, 100% pure Merino, very lovely. There were no dye lots, because it’s a small dye-run, totally artisan product, and they suggest you do what is, in effect, a Colinette – knit with two balls, using them alternately every two rows. Tried that: stripes. Marked stripes. My skeins are very different,

different colours of yarn

as is glaringly obvious – in this case, one brownish, one greyish. Using them double is the perfect solution, and so they have been rescued from the ‘Feck this, you’re going to a charity shop’ bin. I don’t need all these cowls (in theory), but there’s going to be a designer-makers’ fair focusing on fabric and fibre in Harlech in the summer, and they’ll make good stock. I’m hoping it won’t be the sort of summer to require 100% Merino cowls, but that people will instead buy them for Christmas.

In the meanwhile, life in this village is a bit like the ‘bring out your dead’ scene from Monty Python and the Holy Grail (and it’s not just me: someone I know said working at a nearby surgery ATM was like ‘working in a bucket of rats’). Now Monty P: that’s something I might watch. Either that or the box set of The  Nazis: A Warning from History. Not that I’m getting depressed about the forthcoming election, oh no. I’m depressed about there being another eleven weeks of pointless point-scoring and bitching and bickering and silly repetitious sound bites and spin doctors and slanted media and far too many ******** politicians. AGH!

Bring out your dead! Bring out your dead!